BASCHET, E. , 1900 L'Afrique découvre l'Europe, Vaduz 1989. Hard cover 29,5 x 22 cm. 259 pages with 300 photographs.
€ 27.50
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ALLSWORTH, J., Abyssinia to Zanzibar 1850s – 1950s. Catalogue of the photographic archive of the Winterton Africana collection, Londen 2003. Soft cover 21 x 27 cm. 142 pag. Pag.: 9- 97: description of the photo albums; pag.: 97-142 photo’s. The Winterton Collection provides an unsurpassed resource for the study of the history of photography in East Africa. The Winterton Collection also included about 7,610 photographs organized in 76 separate albums, scrapbooks or loose collections. The photographs depict life, primarily in East Africa, between about 1860 and 1960.Assembled by the British collector Humphrey Winterton over about 30 years, the collection depicts the breadth of African experience; documents African life; European life in Africa in all its manifestations; and the African landscape, in particular as it changed over time. Included are photographs showing the building of East Africa’s railways, the growth of its urban centers and the development of European colonial administration. The photographs extensively document rural life as well as the travels and work of European colonial officials and private businessmen. There are outstanding examples of portraiture, some of which were taken by commercial studios. Other photographs produced by commercial studios were specifically taken for sale and distribution in Europe and North America. COUNTRIES:
The library has been catalogued / auctioned-sold in 3 parts: - The part mentioned in the Sotheby's catalogue; - The military books by Magg's Brothers; - The photographs by Jenny Allsworth(only this catalogue can be bought as a stand-alone). THE OTHER 2 CATALOGUES CAN ONLY BE BOUGHT IN COMBINATION WITH THIS ONE . THE PRICE FOR THE 3 CATALOGUES TOGETHER IS 125,00 euro
€ 35.00
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ALLSWORTH, J., Abyssinia to Zanzibar 1850s ・1950s. Catalogue of the photographic archive of the Winterton Africana collection, Londen 2003. Soft cover 21 x 27 cm. 142 pag. Pag.: 9- 97: description of the photo albums; pag.: 97-142 photographs. The Winterton Collection provides an unsurpassed resource for the study of the history of photography in East Africa. The Winterton Collection also included about 7,610 photographs organized in 76 separate albums, scrapbooks or loose collections. The photographs depict life, primarily in East Africa, between about 1860 and 1960.Assembled by the British collector Humphrey Winterton over about 30 years, the collection depicts the breadth of African experience; documents African life; European life in Africa in all its manifestations; and the African landscape, in particular as it changed over time. Included are photographs showing the building of East Africa's railways, the growth of its urban centers and the development of European colonial administration. The photographs extensively document rural life as well as the travels and work of European colonial officials and private businessmen. There are outstanding examples of portraiture, some of which were taken by commercial studios. Other photographs produced by commercial studios were specifically taken for sale and distribution in Europe and North America. COUNTRIES: Zanzibar German East Africa British East Africa Congo Free State Sudan Uganda Somaliland Kenya Ethiopia Eritrea Egypt Abyssinia South Africa The library has been catalogued / auctioned-sold in 3 parts: - The part mentioned in the Sotheby's catalogue; - The military books by Magg's Brothers; - The photographs by Jenny Allsworth(only this catalogue can be bought as a stand-alone). ![]() SOTHEBY'S, The Library of Humphrey Winterton, London 2003. Sales catalogue 28 and 29 May, 2003(sale: L03407). Soft cover 27 x 21 cm. 219 pages with 986 lots. ![]() MAGG'S Bros, From the Abyssinian Expedition to the Mau Mau Insurrection. The Winterton Collection, London 2003. Sales Catalogue 1343. Soft cover 27 x 21 cm. 155 pages with 844 lots THE 3 CATALOGUES CAN ONLY BE BOUGHT TOGETHER. THE PRICE FOR THE 3 CATALOGUES TOGETHER IS 125,00 euro
€ 125.00
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MONTI, N.(ed.), Africa then: photographs 1840-1918, 1987. Hard cover 25,5 x 24,5 cm. 174 pag. with ca. 87 photo's. Of which around 35 depict Egypt, Northern Africa. Some slight wear.
€ 29.50
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Africká výstava Dr.Emila Holuba 1892 / / African Exhibition of Dr Emil Holuba 1892, CDROM "Emil Holub (October 7, 1847 – February 21, 1902) was a Czech physician, explorer, cartographer, and ethnographer in Africa. Inspired to visit Africa by the diaries of David Livingstone, Holub travelled to Cape Town, South Africa shortly after graduation and eventually settled near Kimberley to practise medicine. After eight months, Holub set out in a convoy of local hunters on a two-month experimental expedition, or "scientific safari", where he began to assemble a large natural history collection. In 1873 Holub set out on his second scientific safari, devoting his attention to the collection of ethnographic material. On his third expedition in 1875, he ventured all the way to the Zambezi river and made the first detailed map of the region surrounding Victoria Falls. Holub also wrote and published the first book account of the Victoria Falls published in English in Grahamstown in 1879."
€ 15.00
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GARB, T.(ed.), DISTANCE and DESIRE Encounters with the African Archive. African Photography from The Walter Collection, Göttingen 2013(publisher: Steidl // ISBN: 978-3-86930-651-3). Hard cover 32,5 x 24,5 cm. 352 pages with around 200 photographs. "The Walther Collection is a private non-profit organization dedicated to researching, collecting, exhibiting, and publishing modern and contemporary photography and video art. The Collection has two exhibition spaces: the Walther Collection in Neu-Ulm/Burlafingen, in Germany, and the Walther Collection Project Space in 'New York City. The exhibition of the Walther Collection's multi-year investigation of African photography, Distance and Desire: Encounters with the African Archive, opened on June 8, 2013. Distance and Desire, curated by Tamar Garb, was the first major exhibition to address the dialogue between ethnographic visions of late-nineteenth and early-twentieth century African photography and engagements with the archive by contemporary African artists. The exhibition included portraits, figure studies, cartes de visite, postcards, books, and album pages from southern and eastern Africa, featuring images made from the 1860s–1940s by A. M. Duggan-Cronin and numerous unidentified and unknown photographers. The historical works were presented together with photography, video, and archive projects by contemporary artists including Carrie Mae Weems, Santu Mofokeng, Sue Williamson, Sammy Baloji, Guy Tillim, David Goldblatt, Zwelethu Mthethwa, Zanele Muholi, and Jo Ratcliffe. Distance and Desire was the culmination of this three-part exhibition series in 2011–2012 at the Walther Collection Project Space and the international symposium Encounters with the African Archive, which took place in November 2012 at New York University."
€ 75.00
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GROHNERT, R., AFRIKA Reflexionen im Plakat, Folkwang 2012(publisher: Edition Folkang/Steidl // ISBN 978-3-86930-521-9). Soft cover 30 x 22 cm. 91 pages with around 100 illustrations.Spine uncovered. Fine copy "Das Deutsche Plakat Museum nimmt zum Anlass einen Blick auf die Darstellung zu werfen, wie Afrika in plakativer Öffentlichkeit reflektiert wurde. Die Ausstellung konzentriert sich dabei auf die drei Schwerpunkte: kolonialer, antikolonialer und afrikanischer Blick. Diese zeigen beispielhaft, welche Entwicklung die Reflexion von Afrika im Plakat hatte, welcher Wandel sich vollzogen und wie sehr unser Blick sich verändert hat. Der koloniale Blick Thema ist die exotische Ferne, die Andersartigkeit der Menschen, ihrer Sitten und Gebräuche. Die Bilder, die um 1900 und folgend entstanden sind, wurden immer aus dem Blick des Herrschenden erzeugt, immer aus der Sicht des vermeintlich zivilisierteren Menschen verstanden – und auch so vermittelt. Dies gilt für die Produkt- und Reisewerbung ebenso wie für „Völkerschauen“ oder politische Plakate. Der antikoloniale Blick Die koloniale Befreiungsbewegung und die Entkolonialisierung Afrikas mischte ab dem Ende der 1960er Jahre die Karten neu. Es wurden Plakate entworfen, die den Blick des Europäers und seiner jeweiligen Interessen an Afrika zum Ausdruck brachten. Der afrikanische Blick Das afrikanische Plakat an sich gibt es natürlich nicht, jedes Land hat da seine eigenen Traditionen. Wir haben Plakate aus verschiedenen afrikanischen Ländern zusammengetragen um eine recht unbekannte visuelle Ansprache beispielhaft zu zeigen ![]()
€ 17.50
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DISERENS, C., Contemporary African Photography "Approriated Landscapes", Göttingen 2011. Hard cover 32,5 x 25 cm. 406 pages.
€ 85.00
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BORGÉ, J. & VIASNOFF, N., Archives de l'Afrique noir, Parijs 1995. Hard cover 22,5 x 29 cm. 220 pag. with ca. 250 photo's. CONTENT(chapters):
€ 37.50
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BARTHE, C., Camera Obscura Portraits au Daguerrétype 1841-1851, Paris 2007. Soft cover 34 x 24 cm. 63 pages with 30 daguerrétypes on real size and 53 on smaller size. Daguerrétypes from the French colonies.
€ 27.50
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CHRISTIE'S, The Africanists Including Relics, photographs and sculptures related to the Croisière Noire, Amsterdam 2000. Auction catalogue 24 May 2000[sale: 2461]. Soft cover 26 x 21,5 cm. 126 pages with 202 lots. .
€ 10.00
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Christie's, Exploration and Travel, London 1997. Sales Catalogue 26 september 1997[Sale 5854]. Soft cover 26,5 x 21 cm. 157 pages with 153 lots. Some removable pencil marks. Early photography: - Lots 66 and 69 photographs of the first and second Zambezi expeditions by resp. Dr. John Kirk and James Chapman(pages 75-85) - Lot 83: Muscat, Persian gulf and Arabian Sea - Lots 119-153: (An)artic
€ 15.00
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SCHINDLBECK, M., Die ethnographische Linse Photographien aus dem Museum für Völkerkunde Berlin, Berlin 1989. Veröffentlichungen des Museums für Völkerkunde Berlin Neue Folge 48. Soft cover 28 x 23 cm. 149 pages with 160 photographs.
€ 20.00
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DUJARDIN, L. , Ethnics and Trade: Photography and the Colonial Exhibitions in Amsterdam, Antwerp and Brussels, Amsterdam 2007. Volume 2 Rijksmuseum Studies in Photography. Hard cover 21 x 26, 5 cm. 62 pag. met 52 photo's. "In the 19th century photography recorded the non-western cultures. In 1883 a colonial exhibition was organised in Amsterdam, devoted to indigenous peoples and their crops, produce and trades. In this fascinating book Laetitia Dujardin explains the backgrounds of this exhibition (and similar exhibitions in Belgium), the views on and attitudes towards non-western cultures and the role of photography in colonial politics." Volume 2 Rijksmuseum Studies in Photography In the 19th century photography recorded the non-western cultures. In 1883 a colonial exhibition was organised in Amsterdam, devoted to indigenous peoples and their crops, produce and trades. In this book Laetitia Dujardin explains the backgrounds of this exhibition (and similar exhibitions in Belgium), the views on and attitudes towards non-western cultures and the role of photography in colonial politics.
€ 29.50
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ENWEZOR, O., Contemporary African Photography: Events of the Self / Portraiture and Social Identity, Göttingen 2011. Hard cover 32,5 x 25 cm. 445 pages.
€ 85.00
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SA National Gallery, Eye Africa. African photography 1840-1998, Cape Town 1998. Soft cover 32 x 24 cm. 45 pages with 45 photographs. "Revue Noire's 'eye Africa', the most comprehensive collection of sub-Saharan photography ever to be exhibited offers a fascinating cross-section of work spanning the years 1840 to 1998, ranging from the regal portraits of Senegalese master photographers Mama Casset and Meissa Gaye to the experimental work of South Africa's Julia Tiffin. The South African National Gallery (SANG) near Parliament features the historical component of 'eye Africa', consisting of work from 1840 to 1960."
€ 45.00
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MAGG'S Bros, From the Abyssinian Expedition to the Mau Mau Insurrection. The Winterton Collection, London 2003. Sales Catalogue 1343. Soft cover 27 x 21 cm. 155 pages with 844 lots The Winterton Collection provides an unsurpassed resource for the study of the history of photography in East Africa. The Winterton Collection also included about 7,610 photographs organized in 76 separate albums, scrapbooks or loose collections. The photographs depict life, primarily in East Africa, between about 1860 and 1960.Assembled by the British collector Humphrey Winterton over about 30 years, the collection depicts the breadth of African experience; documents African life; European life in Africa in all its manifestations; and the African landscape, in particular as it changed over time. Included are photographs showing the building of East Africa’s railways, the growth of its urban centers and the development of European colonial administration. The photographs extensively document rural life as well as the travels and work of European colonial officials and private businessmen. There are outstanding examples of portraiture, some of which were taken by commercial studios. Other photographs produced by commercial studios were specifically taken for sale and distribution in Europe and North America. The library has been catalogued / auctioned-sold in 3 parts: - The part mentioned in the Sotheby's catalogue; - The military books by Magg's Brothers; - The photographs by Jenny Allsworth(only this catalogue can be bought as a stand-alone). ![]() SOTHEBY'S, The Library of Humphrey Winterton, London 2003. Sales catalogue 28 and 29 May, 2003(sale: L03407). Soft cover 27 x 21 cm. 219 pages with 986 lots. "Assembled over 35 years by keen bibliophile Humphrey Winterton, the collection pays tribute to his fascination for Africa where he lived and worked for many years. It comprises thousands of books and manuscripts covering East Africa, the Sudan, Egypt, Arabia and the Indian Ocean. The sheer number of topics covered reflects the scale of the collection, which includes numerous rare and sought-after titles on big-game hunting, natural history, linguistics, slavery and its suppression, trade, travel and exploration. The library has been catalogued / sold in 3 parts: - The part mentioned in this Sotheby's catalogue; - The military books by Magg's Brothers(see below); - The photographs by Jenny Allsworth(see below)." ![]() ALLSWORTH, J., Abyssinia to Zanzibar 1850s – 1950s. Catalogue of the photographic archive of the Winterton Africana collection, Londen 2003. Soft cover 21 x 27 cm. 142 pag. Pag.: 9- 97: description of the photo albums; pag.: 97-142 photo’s. The Winterton Collection provides an unsurpassed resource for the study of the history of photography in East Africa. The Winterton Collection also included about 7,610 photographs organized in 76 separate albums, scrapbooks or loose collections. The photographs depict life, primarily in East Africa, between about 1860 and 1960.Assembled by the British collector Humphrey Winterton over about 30 years, the collection depicts the breadth of African experience; documents African life; European life in Africa in all its manifestations; and the African landscape, in particular as it changed over time. Included are photographs showing the building of East Africa’s railways, the growth of its urban centers and the development of European colonial administration. The photographs extensively document rural life as well as the travels and work of European colonial officials and private businessmen. There are outstanding examples of portraiture, some of which were taken by commercial studios. Other photographs produced by commercial studios were specifically taken for sale and distribution in Europe and North America. COUNTRIES: Zanzibar German East Africa British East Africa Congo Free State Sudan Uganda Somaliland Kenya Ethiopia Eritrea Egypt Abyssinia South Africa THE 3 CATALOGUES CAN ONLY BE BOUGHT TOGETHER. THE PRICE FOR THE 3 CATALOGUES TOGETHER IS 125,00 euro
€ 125.00
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BERNATZIK, H.A., Il Continente Nero(Africa), Milaan 1930. Hard cover without dust jacket, 24 x 31 cm. Introduction(in Italian) XLVI pag, 256 pag with full page photographs. Photo captions in German, English, french and Italian. Series: Orbis Terrarum. Good copy. First edition "In 1925, Austrian ethnographer and photographer Hugo A. Bernatzik traveled to Egypt photographing its people, architecture, and antiquities. He returned to Egypt in 1927, traveling through the Anglo-Egyptian Sudan to the Belgian Congo and finally to the west coast of Africa, documenting the inhabitants and their world. His remarkable photographs predate the work of George Rodgers and Leni Riefenstahl. The essence of Africa is captured in these remarkable images of dance sequences, rituals, festivals, spears, shields, and swirling dust."
€ 95.00
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FILIPA LOWDES VICENTE(ed.), Império da Visão. Fotografia no contexto colonial português(1860-1860), Lisboa 2014(publisher: Almedina // ISBN: 9789724418117). Soft cover 27,5 x 21 cm. 501 pages, illustrated.
€ 67.50
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FABIAN, R. & ADAM, H-C, Masters of Early Travel Photography, Londen 1983(Thames and Hudson Ltd / ISBN 9780500540985). Hard cover 31,5 x 23,5 352 pages with 250 photographsof which 177 in colour. " First published in Germany under the title "Fruhe Reisen mit der Kamera" in 1981. Chapters: "The Birth of Photography, Niepce, Daguerre, and Tallbot," "Egypt: Lion-hearted Journeys to the Temples of the Nile, Francis Frith and Maxime Du Camp," "Greenland: A Cheerful Outing Among the Icebergs, Dunmore and Critcherson," "Japan: Photographing the 'Gate to the Sun', Kusakabe Kimbei, Felice Beato, and Baron Stillfried," "Brazil: Imperial Photographer of the Amazon, Dom Pedro II and Marc Ferrez," "India: The 'Brave Photographic Warriors' of the British Empire, Samuel Bourne and Deen Dayal," "China: An Ancient Culture Caught Forever, John Thomson," "The American West: Pioneering with Colt and Camera, William H. Jackson, Carleton Watkins, and Eadweard Muybridge," and "The World in Color: Record It While It Lasts, Albert Kahn and Burton Holmes. With biographies, bibliography. Reproductions true to the original prints, with sepia, black-and-white, hand-colored, early color processes."
€ 59.50
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