LOVEGROVE,K., Graphicswallah, Londen 2003. Softcover 22 x 30 cm. 160 pag. met 180 foto's in kleur.  "Graphicswallah documents a wide range of Indian graphics, from the personalized bodywork of vehicles through to political posters; from hand-painted advertising to lavish Bollywood publicity. Illustrated entirely with new photography, the book reflects religious, political and cultural diversities of one of the world's most populated subcontinents. A source of inspiration and delight for graphic designers, the book will also appeal to anyone with an interest in Indian culture."

ANANT, V., Indien 50 Jahre Unabhänglichkeit, Köln 1999. Hardcover, oblong 27 x 30 cm. 225 pag. met foto's in kleur en zwart-wit.

"Im Jahr 1997 jährte sich der UnabhängigkeitstagIndiens zum fünfzigsten Mal. Das Land erfuhr in diesem halben Jahrhundert Wandel und Erneuerung, hatte aber auch mit politischen und sozialen Problemen zu kämpfen. 23 namhafte Fotografen bieten mit ihren bestechenden Farb- und Schwarzweißaufnahmen aus 5 Jahrzehnten einen Einblick in die komplexe, faszinierende und lebendige Tradition und Kultur des Subkontinents Indien."

SILVESTER,H. & CLEMENT,C., Indien Die Frauen der wüste Thar, München 2001. Hardcover 29 x 30 cm. 230 pag. met meer dan 200 kleurenfoto's.

"Mauern mit Kuhfladen verputzen, Wäsche im Fluss waschen, Wasser am Brunnen holen, das ist der Alltag der "Prinzessinnen von Rajastan". Der renommierte Fotograf Hans Silvester und die französische Schriftstellerin Catherine Clément haben eine faszinierende Reise in die Abgeschiedenheit des indischen Nordens gemacht, in eine Welt uralter Traditionen."

SHY,M., Kamatipura  Stille Portraits aus den Bordellen von Bombay, Tübingen 1994. Hardcover 17 x 24,5 cm. 128 pag. met ca. 80 foto's.

VELTER,A. & LAMOTHE, MJ, Ladakh Himalaya, Parijs 1987. Hardcover  24 x 28 cm. 120 pag. met 95 kleurenfoto's. Tekst in het Frans. French text.

PIETRI,M. & PERROT,M. , Lumieres du Ladakh, Parijs 1985. Hardcover 22 x 22 cm. 190 pag. met 83 kleurenfoto's.

JAIN,U., Manyness of Mumbai, Mumbai 2005.Softcover 22 x 21 cm. 150 pag. met ca. 125 foto's in zwart-wit en kleur.

"The genesis of this book, author Uttam C. Jain writes in his preface, "springs from my childhood habit of putting my thoughts on paper . Not only do I focus on Mumbai's [Bombay] past but also speak of today's metropolis." Photographs of Art Deco buildings are here, as are other images of the ornate Churchgate headquarters of the Western Railways, various ornamental clockfaces and sculptures, and a stunning two-page color spread of Mumbai at night. Jain also includes photos of the people of Mumbai: a "dhobi," or "washer folk" carting laundry to Dhobi Ghat, a traditional place for collective washing; a Victorian horse-driven carriage; and the Mumbaikar, those people who are forced to live and sleep on the streets."

PINNEY,C., Photo's of the Gods The Printed Image and Political Struggle in India, Londen 2004. Softcover 19 x 25 cm. 238 pag. met 167 afb. waarvan 80 in kleur.

"Photos of the Gods' is the first comprehensive history of posters, postcards and other printed images that comprise a major dimension of India's popular visual culture. It traces the connections between the production and consumption of these images and the struggle against colonial rule. The detailed output of individual presses and artists over the decades is set against the intensification of the nationalist struggle and the constraints imposed by colonial state censorship, and a half-century of Indian independence since 1947. By combining anthropology, political and cultural history and the study of aesthetic systems, and by including many intriguing and unfamiliar images, 'Photos of the Gods' shows that India's current predicament and popular culture cannot be understood without taking into account this complex and fascinating visual history. The emergence of Indian-run chromolithograph presses in the late 1870s initiated a vast outpouring of images of an astonishin variety, an outpouring that today has come to dominate many of India's spaces, both public and domestic. Many interviews with both artists and publishers were undertaken for this book. Among the great variety of artists responsible for the almost bewildering, yet totally compelling, panoply of'photos of the gods' in India are those that trained in the colonial art schools, others whose skills reflect their membership of traditional painting castes, and yet others who began their careers as humble self-taught sign painters. These artists and the presses together helped make rather than merely reflect the politics of their day, hence 'Photos of the Gods' is not a history of the art of chromolithography but reveals how popular visual culture contributed to history in the making in India."

DE SOUZA,D., Picture Mombai  Landmarks of a new generation, Getty Museum 1997. Softcover (oblong) 22 x 27,5 cm. 116 pag.met ruim 75 zwart-wit foto's.

KOGA, D. & OHASHI, A., Pilgrimage, San Francisco 1977.Softcover 23 x 20 cm. Unpaginated, 77 zwart-wit foto's. "A photographic account a pilgrimage sponsored by Kinnara to Buddhist sites of Nepal, India and Sri Lanka".